Teater_KAMi's posts with tag: teater kami
Tengku Pauzi : Joe Lazarie Rachmatt 
Joe Lazarie Rachmatt’s involvements in theatre as an actor include Langit Kelabu, Salina, Adam &Adam, Pentas Opera, Scorpion Orchid, Madam White Snake etc. He had also directed English dramas by Teater Kami like The Last Mak Yong and Neighbours. He is currently a resident artistic director of Mak Yong Sri Temegong Kelantan. Apart from stage performances, he has also acted in TV with SBC, TCS and Suria. His latest TV role is as Yassin in a light-hearted comedy drama, ‘Zero Down Payment‘ broadcasted on Suria Channel. Joe Lazarie Rachmatt is a Senior Training Officer, after graduating from University of Sydney with a degree in Disability Study and Community Service. He has been of service to Anderson Junior College as a Drama Instructor and been a producer with Esplanade – Theatres on the bay.
Kadeer Sirat : Anwar Hadi Ramli
Anwar Hadi Ramli, 28 years old is a full time practitioner starting his involvement in 1997. Anwar writes scripts, direct plays, act and does other various jobs pertaining to theatre. He is also a drama trainer plying his trade in various schools namely, Bukit Panjang Government High School, Kranji Secondary School and Nanyang Polytechnic to name a few. Anwar also works with various art companies such as Teater Kami Ltd, Teater Ekamatra, and Act3 Theatrics. Photography is currently his hobby and a form of art that he is trying to master and work on.
Masnawi – Wikwi : Muhamad Hazriq Idrus 
Starting with a supporting role in the "Indera Bangsawan" stageplay at Victoria Theatre with Teater Kami Ltd in 1997, Hazriq Idrus has since been heavily involved with other local theatre companies/ groups including Theatre 2000, Teater Titisan and other organisations that offered theatre/drama -related projects on adhoc basis. Besides being involved in theatre productions, Hazriq is also involved in television drama series such as 2x5 Dol, Cili Padi 2, Geylang Si Paku Geylang and Wajah: Pendatang in a bid to gain further exposure. Hazriq has just completed his filming for an upcoming local movie, Kallang Roar The Movie, which will be screened in cinemas in August 2008. Marpo’ah : Shasha Ya’kob 
Shasha Ya’kob began her journey in theatre while she was in Singapore Polytechnic’s Theatre Compass, a CCA group. Her first involvement in Teater Kami was as a cameo role in ‘Kelab Dangdut’ (2005). Since then, she has been actively involved in a few productions and school programmes with Teater Kami. Besides acting, she handles publicity and marketing activities for Teater Kami’s programmes, as well as being involved in technical aspects. She has also been involved in school assembly shows, TVCs, corporate videos and TV roles with other companies. Buang : Adib Kosnan Siran 
Adib has been involved in theatre since 2001 when he joined Dramaplus Arts Youtheatre. He was involved in Youtheatre shows between 2002 and 2004 like The Magical Voyage of Ulyssess’ (2002) and Romeo and Juliet: Singapore 2010’ (2003) . His first show with Teater Kami was 'Hikayat Hang Tuah' (2003). Since then he has been involved in numerous TK shows like '9 Akal 1 Nafsu', 'Mat Rock Minah Kental', 'Lynn Tatsuhiko' and 'Balada Tun Fatimah' among others. Adib's last show with Teater Kami was 'Campur Satu: Kisah Isi dan Rusuk!' which was also his first scriptwriting attempt. Adib is currently freelancing in the scene and doing school shows. Marzuki : Hilsham Helzie Sahilman 
Helzie became involved with theatre since his final year (2004) at Temasek Polytechnic when he joined Teater Titisan Temasek. Following which, he was also given the opportunity by Teater Titisan (Majlis Pusat) to be involved in Theare-In-Education (TIE) programs in schools. His past involvements include ‘Arty Farty Festival’by Teater Titisan (Majlis Pusat) and ‘Bikin I’ by Teater Ekamatra. Helzie’s first involvement with Teater Kami was in 2006 – Tekong Highway- From Salabin to Sarawak (a Teater Kami Youth project), directed by Anwar Hadi Ramli. Other involvements with Teater Kami include Perhiasan Kaca, Al-Kisah Jakun & Tengek, Balada Tun Fatimah, Wayang Betul...Lah, Campur Satu and Mayat.
|  | 8 More Days to opening of ROMZI & JULEHA!
Get your tickets at www.sistic.com.sg or any SISTIC outlet.
Venue: Esplanade Theatre Studio
Duration: 2 hrs
Date: 12 & 13 July
Time: 3pm and 8pm
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PRANONTON TEATER
ROMEO, JULIET MELAYU By Izad Omar MAMPUKAH naskhah terulung William Shakespeare disesuaikan dalam bahasa Melayu dengan berlatar belakangkan kehidupan orang Melayu Singapura pada tahun 1950-an? Teater Kami mengambil langkah untuk mempersembahkan Romzi dan Juleha sebuah kisah cinta terhalang antara dua insan yang mempunyai latar belakang berbeza. Romzi ialah anak Jawa, manakala Juleha pula merupakan anak Bawean. Namun, kisah kedua-duanya berlaku di Singapura. Pertelingkahan antara kedua-dua puak Melayu ini akan menjadi asas pementasan yang ditulis oleh Denhasan. Adaptasi Romeo and Juliet ini akan dijayakan oleh 30 pelakon yang sebahagian daripadanya adalah pelakon muda. Dari aspek pakaian hingga ke pertuturan, penonton akan dijanjikan dengan pementasan yang penuh warna-warni. Kehidupan sesudah perang, adat resam dan penentuan jodoh yang menjadi hak milik keluarga menjadi intipati Romzi dan Juleha. Budaya dipegang teguh oleh sesetengah keluarga yang menjadi penghambat untuk sesetengah ahlinya menentukan jalan kehidupan masing-masing. Selain dicabar dengan adaptasi berat Romeo and Juliet, Denhasan juga menyelitkan beberapa adegan yang bersangkut-paut dengan tragedi Natrah. Suntikan ini diharap akan dapat menegapkan lagi kisah Romzi dan Juleha sebagai anak Melayu Singapura. Sheba Rai, yang memegang watak Juleha terharu apabila terpilih memegang watak penting ini. Wataknya memerlukan beliau bertutur bahasa Melayu berloghat Jawa mendorong beliau membuat kajian tentang lenggok dan cara pertuturan yang asing baginya. Selain itu, beliau juga diperlukan melakukan sesuatu yang belum pernah dilakukan selama bergelar pelakon pentas. 'Saya diberitahu yang pihak produksi akan mengadakan adegan Juleha jatuh dari tingkap. Pada mulanya memanglah bimbang tetapi pihak produksi berjanji memastikan semuanya akan dilakukan dengan secara terperinci dan terkawal.' Shahril A. Wahid, pemenang Anugerah Skrin, pula akan menjayakan watak Romzi manakala Firdaus A. Rahman, wajah yang kian mendapat tempat di penerbitan TV tempatan memegang watak Tahjuddin, sepupu Juleha. Atin Amat, yang kembali menunjukkan taring menerusi projek terbaru ini, berkata beliau memastikan drama itu tidak saja cantik pada naskhahnya, tetapi lebih indah apabila dibawa ke Teater Studio Esplanade. Saksikan pementasan menarik ini di Esplanade Theatre Studio pada tarikh berikut: 12 Julai : 3 petang dan 8 malam 13 Julai : 3 petangg and 8 malam Tiket: $19.00 (Pelajar - termasuk yuran $1 Sistic), $28 (dewasa) termasuk $3 yuran Sistic. Untuk maklumat lanjut, sila hubungi talian Sistic di 6348-5555 atau lungsuri laman www.sistic.com.sg.
 Cast Line-Up for Romzi & Juleha (not in order of appearance)
| Shahril A. Wahid | | Sheba Rai | | Md. Adib Kosnan Siran | | Firdaus A. Rahman | | Mahadi Jamaludin | | Dalifah Shahril | | Keatar HM | | Suhaila Md. Sanif | | Muhammad Hazriq Idrus | | Shasha Ya’kob | | Joe Lazarie Rachmatt | | Anwar Hadi Ramli | | Ibrahim Hashim |
Kisah Cinta Romzi dan Juleha adalah adaptasi sastera Romeo and Juliet karangan Shakespeare. Walaupun telah banyak kali naskah asal telah diolah mahupun diterjemah, Kisah Cinta Romzi dan Juleha mempunyai perbezaan yang menarik. Adaptasi ini berlatar belakangkan Singapura pada tahun 1950, di daerah Beach Road, Minto Road dan Bussorah Street. Romzi, orang Bawean dan Juleha, orang Jawa terpisah kerana perbezaan adat. Mereka cuba memperjuangkan cinta mereka tetapi berakhir dengan kematian. Tempias dari tragedi Nadra (Maria Hertogh) juga dipaparkan dalam persembahan ini. Para pelajar dapat mempelajari beberapa perkara dalam Kisah Cinta Romzi dan Juleha: n cara kehidupan bermasyarakat orang-orang pada tahun 1950an n perbezaan budaya dan adat-resam orang-orang Bawean dan Jawa n pengenalan kepada seni bangsawan (extra-turn), pancaragam, budaya joget moden serta filem dan lagu-lagu era 40an hingga 50an n penguasaan dan penggunaan bahasa Melayu yang ada terselitnya loghat Bawean dan Jawa n sedikit sejarah peristiwa Nadra
Romzi Juleha kekasih muda
Terpaut hati pandang pertama
Jalinan mesra bantahan keluarga
Disebab oleh telingkah lama
Cikgu Karman berilmu dihormat Dipandang tinggi masyarakat setempat Juleha si dara anak keempat Harapan tinggi Tengku Pauzi disemat
Romzi anak Pak Lurah Masnawi Budi-bahasa tidak terperi Kasih sayangnya disalah erti Tahjudeen membara menjadi api
Adaptasi dari karya Shakespeare – Romeo and Juliet, Kisah Cinta Romzi dan Juleha membawa kita kembali ke zaman lima puluhan di mana ijab dan kabul selalunya hak keluarga. Adat puak dijunjung, nama keluarga disanjung, cinta seperti kasih Laila dan Majnun tidak kesampaian. Ini bukan hanya kisah cinta – kenali juga adat resam, budaya tahun-tahun lima puluhan dan kehidupan sesudah perang.
Ketawa dan menangis bersama dalam Kisah Cinta Romzi dan Juleha.
Pengarah : Atin Amat
Adaptasi : Denhasan
Genre : Drama Romantik Tragedi Komedi
Durasi : 2 jam
Sasaran : Peringkat Menengah & Dewasa
Tarikh: 12 Julai 2008 – 3 ptg and 8 mlm
13 Julai 2008 – 3 ptg and 8 mlm
Tempat: Esplanade Theatre Studio
Harga: $19.00 (Pelajar – termasuk $1 SISTIC surcharge)
$28.00 (Dewasa – termasuk $3 SISTIC surcharge)
Sekolah-sekolah boleh menggunakan geran seni TOTE Board untuk mendapatkan potongan harga sehingga 60% dari harga tiket biasa. Untuk maklumat lanjut, sila hubungi talian SISTIC 6348 5555 atau lungsuri lelaman www.sistic.com.sg.
Have you bought your tix for BADANG RETURNS? 
If not, get your tix NOW!!!
*For every 4 tix bought,
get 1 tix FREE.
Show Date/Day: 23rd May 2008/Friday
Venue: Teater Kami Black Box Studio @ 126 Cairnhill Arts Centre
Time: 8pm
Duration: 75 mins
Ticket Price: $15 each
Genre: Children's Play
Language Medium: Malay
Call/SMS Shasha at 93364085 or email teaterkami@hotmail.com
for inquiries or bookings.
*Only applicable for Fri 8pm show
BADANG RETURNS
-Children's play-
Script/Director: Anwar Hadi Ramli 23-24 May 2008 SYNOPSIS The National Museum houses a fragment of the Singapore Stone. It is the only fragment saved that can be found here after it was irresponsibly blasted by the then British Authority. The Singapore Stone which was originally located at the mouth of the Singapore River, has a unique history. It was said that the stone was thrown from the Sultan's place at Fort Canning hill by a man named Badang, during a pit of strength competition. For some strange reason, Badang was thrown out to SINGAPORE 2008. The adventure begins as his friend, Jintamanis (Gene) aids him in his quest to return back to his time.
Come join us in this interactive play!
Performance Dates:
23 May 2008 – 8 pm 24 May 2008 – 11 am and 3 pm Venue: Teater Kami Black Box, One-Two-Six Cairnhill Arts Centre, Level 2, 126 Cairnhill Road, Singapore 229707 Price: $15.00 Hotline: 6733 8969 / 9012 3342/ 9336 4085 (Dalifah Shahril / Shasha Ya'kob) Email: teaterkami@hotmail.com Website: http://teaterkami.multiply.com
| | Theatre-in-Education (TIE) atau Teater-Dalam-Pendidikan ialah suatu persembahan yang tidak pasif dimana penonton disuruh melihat pandangan dan fikiran orang lain, dan menghormati setiap pandangan.
Pra-aktiviti: Program yang interactif seperti permainan kenal-suai dan ‘role-playing’ akan diadakan
Persembahan: Sebuah pementasan pendek akan dipersembahkan. Isu-isu tentang masalah remaja atau sosial akan ditengahkan. Lazimnya, pementasan ini tidak ada rumusan. Penglibatan para pelajar akan berbincang dan menganalisa isu yang telah ditengahkan. Dengan ini, meluaskan dan menajamkan pemikiran mereka.
Pos-aktiviti: Perbincangan akan diadakan untuk memberi peluang kepada para pelajar mengetengahkan pendapat mereka.
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| | Eli, seorang pelajar Autistic telah dihantar ke sekolah menengah 'mainstream' selepas lulus peperiksaan PSLE di 'Special School'. Eli yang pendiam cuba menyesuaikan diri, namun pengalamannya yang sering dibuli di sekolah membuatnnya banyak menyendiri.
Shaheed, teman sedarjah Eli, merasa simpati dan cuba untuk berkawan dengannya. Ini menimbulkan rasa kurang senang pada diri Hairol yand mengdapati Eli seorang yang pelik. Hairol merasa iri terhadap hubungan baik Shaheed dan Eli.
Setiap kali Shaheed membawa Eli bersama ke tempat biasa dimana Shaheed dan Hairol selalu berjumpa. Hairol akan mengelak dengan memberi berbagai-bagai alasan. Hairol tidak suka pada Eli dan merasan Eli telah 'mencuri' teman baiknya Shaheed. Shaheed cuba menerangkan keadaan Eli pada Hairol.
Mungkinkah Hairol dapat menerima keadaan dan kehadiran teman barunya itu? |
| | Thank you for supporting our production 'Mayat'! |
‘Mayat’ introduces a setting which might seem absurd to the rational mind as the script is packed with much innuendos and underlying meanings, therefore motivating us to analyse and try comprehending the deeper intended meanings of the script. Our search will fail because the drama follows and explains only one channel, which are, the obvious meanings. Our intentions of prying the sensitivity and absurdness that we try to relate to this play will not work, and in fact will only sway us to disappointment. However, the absurd setting that is obvious in ‘Mayat’ is still to be observed. The setting referred to is represented by the space that surrounds the play. ‘Mayat’s’ strength in shaping the emptiness of space, is also one of the elements that forms the traditions of absurd theatre, as immortalized by Samuel Beckett in the play 'Waiting for Godot'. ‘Mayat’ has some specific intentions that can be manifested by the rational mind. This is via its presentation of the four friends, set in a cool morning, outside a dilapidated house planted in slums. The era is kept ambiguous in the play, though there are hints that allow us to place the characters in a period sometime in future. In ‘Mayat’, Hatta Azad Khan highlighted the issue on scarcity of land and its consequences. He painted a cold, gloomy and eccentric future. The scarcity of land to entomb the body of their dead friend became the root of the conflict that centres the four friends, and it is this conflict that explains the behaviour of these friends in the play. Other factors also influence their behaviours. Following the explanation by an outsider who wishes to buy the dead body, he tries convincing the friends by stating that he needs the body parts to help sick people who are alive, instead of allowing those body parts to simply rot and disintegrate. He mentioned that it was more difficult to purchase dead bodies in the past due to the rampant availability of land and due to the selfishness of friends or relatives who refuses to sell dead bodies to him. Now that there is scarcity of land, it is easier for him to ‘help’ sick people in need. Two contradictory issues hence erupt. One is the ease of attaining dead bodies now due to the scarcity of land, as compared to the difficulty in the past due to much availabilty of land and reluctance of friends and relatives to sell dead bodies. The ‘selfishness’ of friends and relatives in the past is attributed to the respect shown to the dead body. On the contrary, the present observes friends who regard a friend’s death as a blessing. The play is differentiated by two opposing tones. Firstly, a naturalistic tone illustrates the characters that are based and influenced by situations and their backgrounds. Secondly, an ethics tone that are founded by moral values. The naturalistic setting is created through characterizing humans in the play ‘Mayat’. The friends are nameless, as if they are identity-less, without an own personality to differentiate each of them, hence it can also emphasizes the same situations that they are experiencing. Creating characters that are not differentiated through personalities is a deliberate method. They are not constrained by the protocols of a label as they sometimes change their attitude and articulate another person’s dialogue. Catch MAYAT from 28 - 29 Mar 2008 @ Teater Kami Blackbox Studio.
Call 67338969/93364085/ 90123342 for bookings or inquiries!
 | Jom! | Mar 7, '08 1:07 PM
for everyone |
Meh lah ke Teater Kami Black Box Studio di One-Two-Six Cairnhill Arts Cenrtre, 126 Cairnhill Road. Saksikan 'Mayat' yang diarahkan oleh Atin Amat. Cerita lepak dok! Bukan abstract-abstract sampai pening kepala atau garuk kepala tak paham. Sumpah, tak bohong! Tiket dah tinggal hari Jumaat - 28 Mar pukul 8 malam, Sabtu - 29 Mar pukul 3 petang dan 8 malam. Ringan-ringankanlah jari-jemari antar emel kat teaterkami@hotmail.com atau sms 90123342/ 93364085. Kalau nak kol, tekanlah 67338969. Aaaahh.. banyakkan caranya! Abeh.. tunggu aper lagi? Book ah!
 Name: Caca Hamoe Age: 21 Hobby: Swimming Shopping Movies Sign: Taurus Personality: Stubborn Selective Caca has been dancing for 2 years, being active in the traditional malay dance. She was a school representative for malay dance and dikir barat. Currently a freelance dancer, she is not attached to any groups because of school commitments. Caca started doing drama 3 months ago, therefore she regards herself as a drama amateur.
I am looking forward for the show. It has been a great pleasure working with these group of talents. I managed to gain knowledge and was thought certain basics to begin this drama journey. It is fun. It boost my confidence level and am enthusiastic for the whole show! -Caca Hamoe-
Hazimah mula bergiat dengan Teater kami dalam tahun 2005 sebagai watak cameo di ‘Kelab Dangdut’. Penglibatannya yang lain termasuk ‘Angin Menderu’ (2006), ‘Abang Sayang’ (2006) dan ‘Horlick Milo Kopi Teh’ (2005). Best dapat involve dgn teater kami mayat production, setiap prodution ada kelainannya... saya juga dapat mempelajari pegalaman( new experience) baru dari cik atin and co-actor cerita ni... -Hazimah Md Azli-
Suhaila Sanif has been involved with Teater Kami since Oct 2001. She was active doing school shows and drama workshops from 2002 – 2006. Her involvements in some major productions with Teater Kami : Kemelut (2002), Hayat Hayati (2002), 9 Akal, 1 Nafsu (2003), Kiambang, Kembang, Kuncup (2003), Psikosis (2004), Mat Rock Minah Kental (2004), White Baju (2005), Kelab Dangdut (2005), Lorong 12 (2006), Angin Menderu (2006), Balada Tun Fatimah (2007). Besides acting, she has also been involved in sound operation for productions. In 2006, ‘Pondok Limasen’ became her debut script for a children’s play. When the first time Cik Atin asked me to involve in this production, I was shocked at that moment of time. I was shocked by the title itself, ‘MAYAT’… Because for what I know and ever since I joined them back in 2001 up until today, I’ve never thought that Teater Kami would do this kind of play. And I’ve never involved in a spooky play. Which I really thought it was! But it wasn’t as spooky or as scary as I thought. And So, I took up this opportunity, to involve in this play because I think it is something new for me… So basically I love how the writer wrote this script. It was a beautiful idea… Ya, I like his whole idea on how he foresees the future. The character that he tries to portray was confusing at first. Understanding the whole script, the character, the situation, the meaning, the motives and everything was very tedious to me… But I had so much fun and I really enjoyed myself to be part of it…Especially, being with my other fellow actors, be it the old or the new ones… :-D
-Suhaila Sanif-
 Dalifah has been involved with Teater Kami Limited since 1999 and has been the company’s full-time talent since then. She started out as a facilitator in school assembly programmes and theatre-in-education programmes. She was given the opportunity to lead the roles for Teater Kami's plays during the Wanita KAMi (Our Women) season 2001-2002. To date, Dalfiah has acted about 30 plays including 'Balada Tun Fatimah', 'Paduka Siti Wan Kembang', 'Geisha', 'Psikosis', 'White Baju', 'Angin Menderu', 'Perhiasan Kaca' and 'Kemelut' where she received the accolades-Best Actress from Berita Harian (2002). Cabaran utama – hafal dialog one-liner. Lebih susah dari monolog! Mak guru Atin Amat ‘menderas’ dialog dengan kita... Teringat zaman mengaji dulu! But am thankful for the wonderful cast. Being supportive towards each other brought us closer too. Am glad that we managed to potray colouruful characters. Thank you Mak guru, Shasha, Nur, Tuan and my beloved SHABATS for supporting!
-Dalifah Shahril-
 Helzie mula bergiat dalam bidang teater ketika menuntut Tahun akhir pengajian (2004) di Politeknik Temasek, bersama Teater Titisan Temasek. Pada tahun yang sama, Helzie telah diberi kesempatan oleh Teater Titisan (Majlis Pusat) untuk bergiat di dalam program teater dalam pendidikan ke sekolah-sekolah. Beliau terus diundang untuk mencari pengalaman menerusi produksi ‘Arty Farty Festival’ oleh Teater Titisan 9Majlis Pusat) dan ‘Bikin I’ oleh Teater Ekamatra. Helzie kemudian bergiat bersama Teater Kami menerusi ‘Projek Remaja Kami’ pada akhir tahun 2006 > Tekong Highway – From Salabin to Ayer Samak – arahan Anwar Hadi Ramli 2007 > Program pendidikan ke sekolah-sekolah, Perhiasan Kaca – Arahan Atin Amat, Al-kisah Jakun & Tengek – arahan M. Fadlin S, Balada Tun Fatimah – Arahan Atin Amat dan Wayang Betullah dan Campur Satu – arahan Anwar Hadi Ramli. Pada mulanya, saya rasa agak senang dengan watak yang saya diberi tetapi, setelah beberapa latihan, saya baru dapat merasakan bahawa sungguh susah untuk menjiwai watak ini kerana saya tak pernah mati dan tak ada mayat yang masih hidup yang boleh saya meminta tolong, dalam segi perwatakan, daripadanya.
-Hilsham Helzie-
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